Asya Dodina
20 posts
American, 1879-1961 Hills, c.1935-1943 Oil on canvas 16” x 20” The Brooklyn College Library Collection Vincent Canadé was born in San Giorgio Albanese, Italy, and is mainly known for his landscape paintings. He was active during the 1920s and 30s. In this painting, a Federal Art Project commission, Canadé depicts two lonely houses. They are calmly situated under a cloud-streaked sky, surrounded by fields, trees, boulders, and a lake. The image exudes a sense of tranquility with its muted blues, greens, and browns. The gentle, undulating movement encircling the houses provides this painting with its aptly descriptive title: hills. Federal Art Project Living New Deal
American, 1897-1989 Autumn Woods, c.1935-1943 Oil on canvas 24”x 29” The Brooklyn College Library Collection Before arriving in the U.S. during the Great Depression, Stephan Csoka was considered one of Hungary’s most talented young artists. In America he worked as a housepainter with his father-in-law before becoming an art teacher at both Hunter College and the National Academy of Design. His works can be found in institutions such as the Brooklyn Museum and the Library of Congress. In this painting, created for the WPA in 1937, Csoka creates a scene of rich autumn foliage with a muted palette of orange, brown, green, and purple. Federal Art Project Living New Deal
American, 1896-1981 Flowers, c.1935-1943 Oil on canvas 30 1/4” x 24” The Brooklyn College Library Collection Vincent D’Agostino studied at the Art Institute of Chicago in the city where he was born, and later with the renowned American artists George Bellows and Charles Webster Hawthorne. While employed by the WPA, D’Agostino participated in the Federal Art Project (FAP), which lasted from 1935-1942. Throughout the duration of the FAP, approximately 2,500 large-scale public murals were produced. However, prints, sculptures, and smaller easel paintings such as D’Agostino’s Flowers eventually emerged as the division’s main focus. The FAP gave American artists an opportunity to develop and practice their craft. Federal Art Project (FAP) Living New Deal
1902-1981 End of Summer, c.1935-1943 Lithograph 24” x 19” The Brooklyn College Library Collection Hubert Davis studied with the renowned painters Fernand Léger in Paris and Thomas Hart Benton in New York. His work was widely exhibited in his own time, and he associated with artists such as Reginald Marsh and Edward Hopper. Davis illustrated his friend Theodore Dreiser’s book An American Tragedy; he also produced numerous illustrations for magazines and newspapers; and he wrote original plays for which he designed the costumes. Although he used color in a bold and expressive way in his oil paintings, the prints Davis created for the WPA were often sober or even melancholic. Federal Art Project Living New Deal
American, 1894-1963 Lewis Street, c.1935-1943 Oil on canvas 23 1/2” x 29 3/4” The Brooklyn College Library Collection Ben Galos emigrated from Belarus to the U.S. in 1913. Galos’s bustling industrial environment is reminiscent of the Ashcan School. The influence of the American Realists of the early 1900s such as Robert Henri and George Sloan is apparent in this painting, down to Galos’s inclusion of the distinctive New York streetlamp. During the Great Depression Galos worked for the WPA. Two of his paintings from that era are on view here: this one, and a very different one entitled Old Farmhouse. Federal Art Project Living New Deal
American, 1894-1963 Old Farmhouse, c.1935-1943 Oil on canvas 23 1/2” x 29 1/4 ” The Brooklyn College Library Collection Ben Galos was born Berel Goloschin in Vitebsk, Belarus, and immigrated to New York with his family at the age of nineteen. He studied at the National Academy of Design and although he exhibited his work widely in New York, he appears to have remained poor and single his entire life. Best known for his cityscapes, Galos’s work also includes portraits and landscapes. Galos painted this pristine farmhouse while in the employ of the WPA. Federal Art Project Living New Deal
American, 1913-2004 Jean, c.1935-1943 Oil on canvas 39 1/2” x 25” The Brooklyn College Library Collection Born in England in 1913, Allen Hermes came to the United States at the age of sixteen. An outstanding art student, Hermes attended Syracuse University on a full scholarship. He was also awarded a fellowship to study art and architecture in Germany. Later he served in Europe in WWII with the Corps of Engineers. In this portrait, Hermes captures the expression of a pensive young woman standing in front of a velvet curtain. She is leaning on the balustrade of a balcony, two white flowers in her hand. A peaceful countryside can be seen from a dizzying height behind her, while a stormy sky perhaps reflects her anxious thoughts. Federal Art Project Living New Deal
American, 1891-1985 The Apple Tree, c.1935-1943 Oil on canvas 23 1/2” x 29 1/2” The Brooklyn College Library Collection Born in Cleveland, Ohio, Laufman studied at the Art Institute of Chicago and at the Art Student’s League in New York. Robert Henri was his most important teacher. From 1920 to 1933, Laufman lived in Paris where he was friendly with Henri Matisse and in contact with other artists of the Modernist movement. Laufman painted in both traditional and modern styles and consequently his work is extremely varied. Primarily a painter of landscapes, trees were among his favorite subjects, as can be seen in this lush portrayal of an apple tree in late summer. Federal Art Project Living New Deal
Twilight, c.1935-1943 Oil on canvas 24” x 29 1/2” The Brooklyn College Library Collection A woman with a basket and cane makes her way down a snow-packed path. The landscape is filled with barren trees, silhouetted against a pastel sky. Pink, blue, mauve, and gold –the colors of a winter’s twilight– are reflected on the snow-covered ground. Landscapes, cityscapes, and farmland scenes were popular themes for FAP artists who typically avoided controversial subjects. Federal Art Project Living New Deal
American, 1911-1972 Untitled (Landscape), c.1935-1943 Oil on canvas 16 1/2” x 24” The Brooklyn College Library Collection After immigrating to New York, the Russian born Pantuhoff lived in Greenwich Village where he came into contact with the emerging Abstract Expressionists. Pantuhoff, however, followed a different path. Although he first painted portraits of distinguished individuals such as Princess Grace of Monaco and Laurence S. Rockefeller, he eventually became best known for his big-eye portraits in the 1960s. In this eerie landscape, Pantuhoff uses abstract forms to create the swirling patterns of an uneven hillside. The uncanny, delicate trees evoke movement and emotion. Federal Art Project Living New Deal
American, 20th century A Day in June, c.1935-1943 Oil on canvas 19 3/4” x 23 1/2” The Brooklyn College Library Collection Although an artist from the American Midwest, one can see the influence of Impressionism in this work by Claude Patterson. It shares affinities with Camille Pissarro’s painting of 1872, Orchard in Bloom, Louveciennes, evident in the gentle way Patterson depicts his blossoming tree. Patterson’s palette of blues and greens, his rendering of depth, and his inclusion of buildings also call to mind the works of Paul Cézanne. Like Cézanne’s paintings of Mont Sainte-Victoire, the background of Patterson’s landscape is dominated by the grandeur of a distant mountain. Federal Art Project Living New Deal
This painting embody a dynamic between being fully realized abstract painting and arrested gestures in a state of undoneness. The shades of graphite and the gestures within it are markers of time and change, and place. The making of painting is a process of accumulating lessons. These factors seem in kinship with the act of study and learning.
This painting embody a dynamic between being fully realized abstract painting and arrested gestures in a state of undoneness. The shades of graphite and the gestures within it are markers of time and change, and place. The making of painting is a process of accumulating lessons. These factors seem in kinship with the act of study and learning.
American, 1888-1960 Flowers, c.1935-1943 Oil on canvas 29 1/2” x 23 1/4” The Brooklyn College Library Collection In 1913, Allen Lee Swisher studied with Jean-Paul Laurens at the renowned Académie Julian in Paris, and later in New York with Harry Mills Walcott. He is known predominantly as a portrait painter. Swisher painted this lush and abundant bouquet of wildflowers with confidence and verve. His exuberance perhaps reflects the optimism the WPA engendered in many aspiring American artists. Federal Art Project Living New Deal
Untitled (Ships at Sea), c.1935-1943 Oil on canvas 20” x 23 1/2” The Brooklyn College Library Collection This moody painting of a fully rigged ship at sea was likely inspired by the waterways surrounding New York City during the mid19th century. These types of ships were known for their cargo capacity and speed. Federal Art Project Living New Deal
Untitled (Still Life with Chair), c. 1935-1943 Oil on canvas 29” x 23 3/4” The Brooklyn College Library Collection The effects of Modernism have evidently inspired the artist who painted this enigmatic still life. The bowl of fruit has been rendered as if the artist is looking at it from various angles, and the simultaneous, multiple perspectives of the shell and open box recall Braque and Picasso’s early experiments with Cubism. The jacket with a ruffled pocket square, and the portrait propped up against the chair-back enhance the painting’s sense of mystery Federal Art Project Living New Deal
American, 1911-1992 Magnolia, c.1935-1943 Pastel 19 3/8” x 14” The Brooklyn College Library Collection Born to an Italian immigrant family in New Haven, CT., Volpe eventually migrated to Hollywood where he designed both sets and costumes for the film industry. His portraits of movie stars such as Spencer Tracy, Betty Davis, and Katherine Hepburn won him a lifetime contract to execute portraits for the Academy Awards. This led to further commissions from top recording artists and sports luminaries, as well as major political figures such as John F. Kennedy and Winston Churchill. Volpe was twenty-six years old and practicing his craft when he created this delicate pastel while working for the WPA Federal Art Project Living New Deal
American, 1909-1974 Beach Cleaners, c.1935-1943 Color Lithograph 13 1/4” x 18 1/8” The Brooklyn College Library Collection Hyman Warsager was instrumental in setting up the graphic arts division of the WPA in New York City. Printmaking techniques such as lithography, woodcuts, and especially silkscreen made it possible to produce multiple prints, which were used as posters to promote all of the New Deal’s various initiatives and activities. In this lithograph, Warsager uses muted, natural colors to depict laborers at work, a popular Social Realist theme. Federal Art Project Living New Deal
